Contemporary sculptures in glass, bronze and copper

Sculptural works at Root Gallery this spring

Where to place a sculpture at home

This spring, Root Gallery presents a selection of sculptural works by Jeske Haak (bronze), Anna Oudhof (copper and glass), Francisca Snel (glass and copper), and Lisette Schumacher (glass).

Glass, bronze and copper are materials that hold their presence over time. They don’t depend on a single viewpoint, but reveal themselves through material, surface and position in the space.

As the days grow longer and natural light becomes more present, the way we experience a space shifts. Surfaces start to reflect, soften or sharpen. In that sense, sculpture becomes an active part of the environment rather than something placed within it.

When starting a search for art, people often begin with the wall. A painting or photograph feels like an accessible first step. Sculpture tends to come later, while it is often the element that brings a space together. It doesn’t fill a wall, but becomes part of the room.

Couple viewing a glass sculpture by Lisette Schumacher in Root Gallery, contemporary glass artwork interacting with natural light in the space — Sculpture by Lisette Schumacher

Sculptural works are also more flexible than expected. They can be moved, repositioned, or recontextualised over time, especially when a space changes through renovation or relocation.

One of the most common questions is where to place a sculpture. In practice, this is often simpler than it seems. It usually requires small adjustments within an existing interior.

A few considerations:

– Placing a work near a window may seem logical, but not every material responds well to direct sunlight. In some cases, a more indirect light source, such as a north-facing position, is a better choice.

– When using a pedestal, consider its stability. A heavier base or a wider bottom can make a significant difference. Pedestals can be custom-made or finished to match the tones of an interior.

– Give the work space. Whether placed on a mantelpiece, in an open cabinet or on a windowsill, removing surrounding objects allows the sculpture to breathe and define its position more clearly.

– For lighter works, museum wax can be used to secure the piece. This is especially useful in environments where stability is a concern.

– If no suitable surface is available, a small wall-mounted shelf can offer a solution, particularly in homes where accessibility needs to be limited.

If you are unsure about placement, both the gallery and the artists are available to think along. The positioning of a work is part of how it comes into being within a space.

Available works can be viewed in the gallery or shared upon request.