Online viewing The Others Art Fair
From the 4th until the 7th of November Root Gallery is part of The Others Art Fair in Turin (Italy). The Others is the main Italian fair dedicated to emerging national and international art, created to enhance new creative energies through a unique exhibition system, aimed at rediscovering and give new life to abandoned places of Turin.
At the fair, we show the works of Quinda Verheul, Donald Schenkel and Jan Kuhlemeier.
With subtle oil paint colour gradients, Donald Schenkel creates art works that express a certain clarity and peace. When taking a second, closer look, the digital, visual language of the work seems to be based on the materiality of the paint. Each work is unique. Donald doesn’t approach oil paint as a medium to paint an image, but purely as a material that exposes the behaviour of colours.
Thanks to his fascination with natural energies and phenomena, the experience of a landscape is the common thread that appears in all of his works. Jan Kuhlemeier constantly explores different materials, always with a layered use of colours at the base. Different pigments and materials have various characteristics, and these characteristics are magnified within the framework of his work. Jan’s personal experiences are expressed in the movement and the rhythm of creation, as well as in the use of colour in the abstract images.
Quinda Verheul is inspired by big scientific topics like the hydrological cycle, the erosion of the earth and natural forces like wind, water and sunlight. But also by the practice of mining, where people dig for treasure and ruin and influence entire landscapes. By using mirrors, Quinda shows both the human perspective as well as the experience of emptiness and reflection. With this, she creates strange landscapes that offer some kind of recognition, but which can also be part of an entirely different world. Her work is usually site specific and temporary, an aspect which also questions the value of temporary work and the extent to which physical presence of said piece is still necessary.
By Karen van de Vliet
85 × 65 cm, 2026
Mixed acrylic paint on cotton, framed
In Translucent XIX, Karen van de Vliet takes the stain as her starting point: an unpredictable form that cannot be entirely controlled and therefore leaves room for unexpected beauty. Her fascination with such forms began in childhood, when ordinary sights - such as a puddle scattered with autumn leaves - could appear both beautiful and slightly strange.
Translucent layers, clearly defined lines and thicker areas of paint come together in a composition that seems suspended mid-flow. Pale blue, black and off-white are intersected by red, yellow and fluorescent pink. Underlying colours, gestures and traces remain visible, allowing the work to reveal new details when viewed up close.
In Translucent XIX, spontaneity is carefully balanced with structure. The work moves between accident and control, visual attraction and a subtle sense of dissonance.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Donald Schenkel
Oil on canvas
140 × 80 cm, 2026
Wooden frame included
In The Observer, Donald Schenkel combines clear turquoise and blue tones with a softly illuminated centre. Fine vertical and horizontal marks appear throughout the composition, introducing a subtle rhythm within the expansive fields of colour.
The painting is built up in numerous thin layers of oil paint, creating smooth transitions and a remarkable sense of depth. Its tall, narrow format strengthens the meditative quality of the work. Both calming and quietly captivating, The Observerbrings colour into an interior without overwhelming the space.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Donald Schenkel
Oil on canvas
90 × 80 cm, 2026
Wooden frame included
The Observed draws the eye through an intense field of blue, interrupted by a concentrated orange form near the centre. The complementary colours heighten one another: the blue appears deeper, while the orange takes on the character of reflected light.
Donald Schenkel builds his paintings from numerous translucent layers of oil paint. Here, the gradual transitions are combined with blurred horizontal and vertical marks that seem to shift between distance and proximity. The composition never becomes a recognisable landscape, yet it carries the spatial quality of a horizon or reflection.
With its balanced proportions and vivid colour, The Observed is an original blue abstract painting that brings both depth and a strong focal point to a contemporary interior.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Emma Veulemans
76 × 71 cm, 2026
Acrylic and oil stick on wood
In Eigen Haard Is Goud Waard, Emma Veulemans brings together fragments of rooftops, clouds and handwritten language. Geometric colour fields overlap like shifting planes, while the painted frame becomes part of the composition. The work reflects her illustration-led approach, in which familiar observations are transformed through unnatural colour, graphic contours and visible layers.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Emma Veulemans
87 × 76 cm, 2026
Acrylic and oil stick on wood
In Wildenhoge, a small house stands beneath a sky filled with oversized falling drops. Repeated curves contrast with the angular architecture and handwritten words running through the composition. Areas of acrylic paint and oil stick retain different textures, revealing how Emma Veulemans builds her images through line, rhythm and overlapping forms.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Emma Veulemans
100 × 75 cm, 2026
Acrylic and oil stick on wood
A house, moon and stars form the recognisable starting points of Thuis Best. Emma Veulemans places these familiar motifs within an unexpected landscape of turquoise, red and pale blue. Handwritten words and woodgrain-like lines introduce contrasting rhythms, balancing the apparent simplicity of illustration with a carefully structured, layered composition.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.
By Lisette Schumacher
60 × 50 x 6 cm, 2026
Mixed media
From the series Coachella views
Coachella Views XIV is one of the most contrasting works in Lisette Schumacher’s series. Warm coral and golden yellow meet cooler blue and lilac, recalling the striking opposition between the sunlit Coachella Valley and the snow-capped San Jacinto Mountains beyond it. Broad areas of colour create movement, while an intricate pattern on the right gives the composition a more concentrated intensity.
Schumacher does not reproduce a particular view. Instead, she brings together impressions of heat, distance, wind and rapidly changing colour. The result is a confident abstract artwork with a strong presence: vivid enough to anchor a space, yet layered enough to reveal quieter transitions on closer inspection.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Quinda Verheul
32 x 29 x 16 cm, 2024
Light gray rock rose mirror
Complementary to her practice as an artist, Quinda Verheul is also an athlete partaking in several competitions each year. Usually, these are solo ultra-distance mountain bike competitions that depend on self sufficiency. Being in the midst of the landscape, experiencing the mountains, the different weather conditions, and the site at night enhances her fascination for the landscape which is inextricably reflected in her practice.
Quinda created a new series that she has named after her favourite mountain pass in Kyrgyzstan; Kegeti - a 4000 metres pass with steep and inhospitable conditions. What inspired this new series was the image of black rocks at the top of the mountain. Lingering in thin air, the black stood out against the blue sky. Being alone for days and finding the motivation to continue created a lot of room for reflection. It was in this moment that she truly became one with her environment.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Karen van de Vliet
85 × 65 cm, 2026
Mixed acrylic paint on cotton, framed
Translucent XVIII by Karen van de Vliet is built around a striking shift in weight. Fine lines of colour descend through pale, translucent paint before being drawn into a dense black form.
Yellow, blue, red and green remain visible within the darker surface, as if the colour continues beneath it. Differences in transparency, gloss and relief give this abstract painting a strong physical presence that becomes especially apparent at close range.
This original work by the Dutch painter measures 85 × 65 cm and is presented in a light wooden frame. It can be viewed by appointment at Root Gallery or acquired online.
Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.