Quiet III by Quinda Verheul






Quiet III by Quinda Verheul
By Quinda Verheul
80 x 30 cm, 2022
Black mirror and concrete
Quinda Verheul immerses herself in the constantly changing landscapes and the influence that humans have on them. She is fascinated by natural forces like wind, water and sunlight, and often addresses grand topics like the exploitation of natural resources which alter the landscape. Yet, there are different aspects to the same topic which Quinda explores in different series. This is reflected in her use of raw, earthy materials such as sand and natural stone. Mirrors form a returning metaphorical element in her sculptures and installations which invite spectators to reflect on themselves while simultaneously exploring different perspectives. The results are unique aesthetic translations which are able to present new confrontational information within a certain comfort.
Delivery in the Netherlands and Belgium is complimentary and arranged with care, either in person or via secure shipment.
By Madelon Uljee
120 × 100 × 10 cm
Leather, steel
Unique
Madelon Uljee creates sculptural works in leather, where material, tension and form come together in a precise, physical composition. This work reads almost like a stretched skin: shaped by hand, with a surface that shifts between smooth and structured, catching light in a restrained way. Subtle steel elements punctuate the form, adding rhythm and weight. At 120 x 100 cm, it holds a strong presence without overwhelming the space — a work that asks for a considered placement and rewards close attention.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Madelon Uljee
75 × 75 cm
Leather, steel
Unique
Madelon Uljee creates sculptural works in leather, exploring the relationship between material, form and natural structures. Soft pink tones and subtle variations in texture give this work a more intimate, tactile quality. The organic form suggests a natural structure without directly referencing it, allowing the piece to remain open and intuitive. Its scale and colour make it approachable, while the material keeps it grounded and distinct.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Madelon Uljee
75 x 67 x 5 cm
Leather, steel
Unique
In Leaf Bubbles, Madelon Uljee works with lambskin as a sculptural surface, shaping it into a relief that references organic structures without directly imitating them. The central vein suggests a leaf-like form, while the raised elements create a rhythmic pattern across the surface, introducing tension between control and spontaneity.
The material remains visibly responsive: stretched, pressed and formed by hand, allowing subtle irregularities to emerge. These shifts in surface and structure give the work a tactile quality that changes with light and viewing angle.
Uljee’s work is rooted in the relationship between material and form. In this piece, leather functions not as a covering, but as a spatial medium, bridging sculpture and wall-based installation, with a strong affinity to architectural environments.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Freerk Wilbers
50 × 50 × 13,5 cm
Anodised aluminium, spring steel, PET, ball bearings, hardened steel
Unique
Green Spinner explores how systems behave once they are set in motion. In this work, Freerk Wilbers brings together four segmented circles, each mounted on a rotating axis and connected through a carefully calibrated mechanical structure. Although linked, the elements never move in the same way; each responds according to its own rhythm within the system.
The work is activated through touch. A small impulse is enough to initiate a sequence of movements that slowly unfolds beyond direct control. Structure and unpredictability exist side by side, showing how slight variations can produce noticeably different outcomes over time.
Green Spinner calls for a considered form of interaction. Its tactility is subtle, its mechanics visible yet restrained. In a private setting, the work reveals itself gradually. Not as a spectacle, but as an object that remains responsive to each new encounter
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Freerk Wilbers
50 × 50 × 13,5 cm
Anodised aluminium, spring steel, PET, ball bearings, hardened steel
Unique
Red Spinner marks a pivotal moment in Freerk Wilbers’ practice. For the first time, the work depends on the viewer’s physical involvement to exist fully. Four segmented circles are mounted on rotating axes and connected through a system of springs, allowing each element to respond independently within a shared structure.
A single movement sets the work in motion. From that moment on, control gradually gives way to variation: different starting points generate different sequences, never repeating in exactly the same way. The result is a quiet choreography of movement, shaped by rhythm, tension and release.
The work invites a restrained form of interaction. It is engineered with precision, yet sensitive by nature, asking for attention rather than force. In a private setting, Red Spinner unfolds as an intimate encounter with motion, time and system behaviour.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Jeske Haak
21 × 40 cm, 2023
Polished bronze
Edition 1/5
This wall piece by Jeske Haak represents the faces of the sea. This story is about the dark side “the bad dream” of the mysterious future of underwater world. The story about death, caches and still life.
Is this the reality of the future or is it a bad dream?
This work is available in completely polished bronze and in polished bronze with unique patina.
Each piece is made to order, with a lead time of approximately three to six months. Delivery within the Netherlands and Belgium is complimentary and arranged with care, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Jeske Haak
21 × 40 cm, 2023
Patina bronze
Edition 1/5
This wall piece by Jeske Haak represents the faces of the sea. This story is about the dark side “the bad dream” of the mysterious future of underwater world. The story about death, caches and still life.
Is this the reality of the future or is it a bad dream?
This work is available in completely polished bronze and in polished bronze with unique patina.
Each piece is made to order, with a lead time of approximately three to six months. Delivery within the Netherlands and Belgium is complimentary and arranged with care, either in person or securely shipped. We’re happy to advise on placement and presentation.
By Quinda Verheul
50 × 40, 2024
Rose and ochre concrete on rose mirror
Quinda Verheul immerses herself in the constantly changing landscapes and the influence that humans have on them. She is fascinated by natural forces like wind, water and sunlight, and often addresses grand topics like the exploitation of natural resources which alter the landscape. Yet, there are different aspects to the same topic which Quinda explores in different series. This is reflected in her use of raw, earthy materials such as sand and natural stone. Mirrors form a returning metaphorical element in her sculptures and installations which invite spectators to reflect on themselves while simultaneously exploring different perspectives. The results are unique aesthetic translations which are able to present new confrontational information within a certain comfort.
Delivery in the Netherlands and Belgium is complimentary and arranged with care, either in person or via secure shipment.
By Quinda Verheul
50 × 40, 2024
Sandblasting in rose mirror
“Noctilucent” by Quinda Verheul is a contemporary, minimalistic wall sculpture crafted through sandblasting techniques that modify the surface of a mirror. The sandblasting process disperses minuscule particles, transforming the reflective quality of the mirror into a misty, almost ephemeral surface. This altered state creates an atmosphere of quiet subtlety, inviting viewers to experience a sensory shift in perception.
The piece is inspired by natural phenomena that blend simplicity and splendor, a sunset in a mountainous desert where a lone cloud catches the light, glowing against a vast sky. “Noctilucent” distills this moment, drawing on the idea that through selective framing, even the most transient details of nature can evoke an artful composition. The artwork emphasizes how minimal visual cues can resonate deeply, echoing the interplay between the tangible and the abstract.
Delivery in the Netherlands and Belgium is complimentary and arranged with care, either in person or via secure shipment.
By Madelon Uljee
60 × 60 × 5 cm
Leather, steel
Unique
Madelon Uljee creates sculptural works in leather, exploring the relationship between material, form and repetition. In this work, folded elements build up into a dense, almost architectural surface. The deep burgundy colour enhances the sense of depth and shadow, while the handmade structure keeps the piece tactile and organic. Depending on the angle and light, the work shifts between softness and sharpness, appearing both controlled and instinctive at the same time.
Delivery in the Netherlands and Belgium is complimentary, carefully arranged in consultation, either in person or securely shipped. We’re happy to advise on placement and presentation.