Troika’s Dusk by Donald Schenkel

Abstract painting with red, orange and violet gradient and multiple vertical forms, oil on canvas
Contemporary abstract artwork with warm colour transitions and layered vertical gestures
Colour field painting with intense warm tones fading into softer gradients
Close-up of red and orange pigment transitions in single layer oil painting
Detail of vertical structures emerging through warm colour field
Framed abstract painting seen from an angle with vibrant colour surface
Abstract painting with red, orange and violet gradient and multiple vertical forms, oil on canvas
Contemporary abstract artwork with warm colour transitions and layered vertical gestures
Colour field painting with intense warm tones fading into softer gradients
Close-up of red and orange pigment transitions in single layer oil painting
Detail of vertical structures emerging through warm colour field
Framed abstract painting seen from an angle with vibrant colour surface

Troika’s Dusk by Donald Schenkel

€4,300.00

By Donald Schenkel
Oil on canvas
120 × 110 cm, 2026
Wooden frame included

Troika’s Dusk by Donald Schenkel is structured through a sequence of vertical forms emerging from a warm spectrum of red, orange and violet. The surface appears to shift between density and transparency, with colour moving across the canvas in a single, continuous layer. The composition suggests rhythm and repetition, without settling into a fixed structure.

Delivery within the Netherlands and Belgium is arranged in consultation, either in person or securely shipped.

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Donald Schenkel’s paintings are part of a broader development within contemporary abstract art, where colour, material and gesture are approached as spatial elements. His work is characterised by gradient transitions, vertical interruptions and a restrained yet precise use of oil paint. Each painting is executed in a single layer, allowing no corrections, resulting in a direct and physical image.
Collectors and institutions interested in contemporary abstract painting, colour field abstraction and minimal gestural painting will find his work situated within an ongoing dialogue on material presence and perception.

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