Moonlit Corner by Jan Theun van Rees

Moonlit Corner by Jan Theun van Rees — abstract photograph showing painted fabric walls in blue and orange tones with soft natural light.
Contemporary photograph by Dutch artist Jan Theun van Rees from the Painted Room series, exploring light, colour and space.
Moonlit Corner by Jan Theun van Rees — archival pigment print depicting an abstract interior scene with layered textures and shadows.
Side view of Moonlit Corner by Jan Theun van Rees — angled photograph showing the painted fabric walls and soft interplay of blue, orange and grey tones illuminated by natural light.
Front view of Moonlit Corner — hand-painted fabric installation captured in natural light, blending blue, orange and grey tones.
Moonlit Corner by Jan Theun van Rees shown at PAN Amsterdam 2025
Moonlit Corner by Jan Theun van Rees — abstract photograph showing painted fabric walls in blue and orange tones with soft natural light.
Contemporary photograph by Dutch artist Jan Theun van Rees from the Painted Room series, exploring light, colour and space.
Moonlit Corner by Jan Theun van Rees — archival pigment print depicting an abstract interior scene with layered textures and shadows.
Side view of Moonlit Corner by Jan Theun van Rees — angled photograph showing the painted fabric walls and soft interplay of blue, orange and grey tones illuminated by natural light.
Front view of Moonlit Corner — hand-painted fabric installation captured in natural light, blending blue, orange and grey tones.
Moonlit Corner by Jan Theun van Rees shown at PAN Amsterdam 2025

Moonlit Corner by Jan Theun van Rees

€2,800.00

By Jan Theun van Rees
110 × 55 cm, ed. 3, 2025
Pigment ink on bright white Photorag mounted on museum board, framed with spacer and UV70 museum glass

This work is part of the series Painted Room

In Moonlit Corner, Jan Theun van Rees captures the quiet interplay between colour, light and constructed space. Created within his ongoing Painted Room series, the work depicts a temporary environment built and painted specifically for the photograph, a space that ceases to exist once the image is made.

Here, bands of deep blue and warm orange fabric interact with the cool grey tones of the floor, illuminated by a soft, angled light. The composition evokes both architecture and abstraction, balancing material presence with a sense of illusion.

Van Rees explores how light transforms painted surfaces into something ephemeral. Through this process, he turns photography into a form of painting, where each image becomes a moment of stillness, shaped entirely by colour and perception.

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