By Quinda Verheul
50 × 40, 2024
Rose and ochre concrete on rose mirror

Quinda Verheul immerses herself in the constantly changing landscapes and the influence that humans have on them. She is fascinated by natural forces like wind, water and sunlight, and often addresses grand topics like the exploitation of natural resources which alter the landscape. Yet, there are different aspects to the same topic which Quinda explores in different series. This is reflected in her use of raw, earthy materials such as sand and natural stone. Mirrors form a returning metaphorical element in her sculptures and installations which invite spectators to reflect on themselves while simultaneously exploring different perspectives. The results are unique aesthetic translations which are able to present new confrontational information within a certain comfort.

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By Quinda Verheul
50 × 40, 2024
Sandblasting in rose mirror

“Noctilucent” by Quinda Verheul is a contemporary, minimalistic wall sculpture crafted through sandblasting techniques that modify the surface of a mirror. The sandblasting process disperses minuscule particles, transforming the reflective quality of the mirror into a misty, almost ephemeral surface. This altered state creates an atmosphere of quiet subtlety, inviting viewers to experience a sensory shift in perception.

The piece is inspired by natural phenomena that blend simplicity and splendor, a sunset in a mountainous desert where a lone cloud catches the light, glowing against a vast sky. “Noctilucent” distills this moment, drawing on the idea that through selective framing, even the most transient details of nature can evoke an artful composition. The artwork emphasizes how minimal visual cues can resonate deeply, echoing the interplay between the tangible and the abstract.

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By Quinda Verheul
60 × 30, 2024
Rose mirror and mixed concrete

This piece from Islands In The Sky by Quinda Verheul captures the essence of open landscapes, drawing color inspiration from the ochres and pinks of the Moroccan desert and mountains. The warm, earthy hues echo the vivid tones found in these rugged terrains, where the sun-bleached sands and weathered stones radiate life. Being in these vast, untamed spaces gives my mind room to wander, where thoughts drift like clouds across the horizon. The organic shapes and soft colors reflect moments spent outdoors, where I feel most connected to the earth and my own instincts, exposed yet entirely at peace. These works are a celebration of nature’s grounding warmth and the profound clarity it offers.

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By Quinda Verheul
60 × 30, 2024
Rose mirror and mixed concrete

Inspired by travels through Morocco, Islands In The Sky IV by Quinda Verheul reflects the colours and open character of the desert landscape. The rose-coloured mirror recalls warm evening light, while three organic concrete forms refer to weathered stones, distant mountains and islands of colour appearing across the horizon.
Dusty pink, sand and ochre give the concrete a soft, earthy quality. Their irregular surfaces contrast with the smooth mirror, which draws the changing light and surrounding space into the work. As the reflection shifts, the wall sculpture continually moves between a remembered landscape and the present interior. With its narrow format and warm palette, Islands In The Sky IV brings the atmosphere of the Moroccan desert into a space without becoming literal.

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By Quinda Verheul
60 × 40, 2024
Rose mirror and mixed concrete

The Between the Desert and the Ocean series at Root Gallery delves into the balance between two vast, contrasting landscapes, capturing the essence of Morocco's Atlas Mountains. Using concrete mixed with magenta and ochre pigments, each piece is carefully layered on a rose-tinted oval mirror, achieving a tactile, almost geological quality that mirrors the rugged textures of desert and mountain. The mirror introduces an ethereal quality, reminiscent of the ocean’s expanse and its reflective depth. This fusion of raw concrete and delicate mirror creates a harmonious duality - where earthy tones meet fluid, reflective surfaces - inviting viewers to reflect on the connections between land and sea, solidity and fluidity. The Between the Desert and the Ocean series presents a unique, contemplative experience, blending landscape-inspired materials and textures with an elegant, modern twist.

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By Quinda Verheul
100 x 75, 2024
Rose mirror and mixed concrete

This work by Quinda Verheul results from her experiences in Kyrgyzstan where she rode the Tian Shan mountains for 1900 kilometers. Tian Shan is a large system of mountains in Central Asia that can be translated to Celestial Mountains. Being in the midst of the landscape, experiencing the mountains, the different weather conditions, the site at night and seeing celestial bodies shine, enhances her fascination for the landscape. Immersing herself in the natural environment is essential to her being and inextricably reflected in her practice.

Delivery in the Netherlands and Belgium is complimentary and arranged with care, either in person or via secure shipment.