Spatial Shade Arch I by Lisette Schumacher

Spatial Shade Arch I by Lisette Schumacher, a pale blue glass arch sculpture with an open centre and flowing white markings.
Right side view of Spatial Shade Arch I by Lisette Schumacher, showing its curved profile and translucent blue glass edge.
Detail of flowing white markings across the pale blue glass of Lisette Schumacher’s Spatial Shade Arch I.
Detail of the inner curve and open centre of Lisette Schumacher’s glass arch sculpture Spatial Shade Arch I.
Left side view of Spatial Shade Arch I by Lisette Schumacher, showing the depth of the solid glass arch.
Detail of the curved outer edge of Spatial Shade Arch I, a hand-cast Venetian glass sculpture by Lisette Schumacher.
Spatial Shade Arch I by Lisette Schumacher, a pale blue glass arch sculpture with an open centre and flowing white markings.
Right side view of Spatial Shade Arch I by Lisette Schumacher, showing its curved profile and translucent blue glass edge.
Detail of flowing white markings across the pale blue glass of Lisette Schumacher’s Spatial Shade Arch I.
Detail of the inner curve and open centre of Lisette Schumacher’s glass arch sculpture Spatial Shade Arch I.
Left side view of Spatial Shade Arch I by Lisette Schumacher, showing the depth of the solid glass arch.
Detail of the curved outer edge of Spatial Shade Arch I, a hand-cast Venetian glass sculpture by Lisette Schumacher.

Spatial Shade Arch I by Lisette Schumacher

€1,250.00

By Lisette Schumacher
28 × 14 × 5,3 cm, 2026
Solid hand-cast glass, paint, varnish

From the series Spatial Shade

Spatial Shade Arch I is a pale blue glass and mixed-media sculpture by Lisette Schumacher. Its semicircular arch surrounds an open centre, while flowing white markings extend across the translucent form. The substantial glass edges catch the light, giving the architectural shape a changing visual depth.

The work belongs to Spatial Shade — Segment and Arch, a series inspired by the curved brick walls and decorative façade reliefs of the Amsterdamse School. Schumacher draws on the use of brick in the designs of Jo van der Mey, Michel de Klerk and Piet Kramer, translating an architectural building block into solid, hand-cast Venetian glass.

The open arch makes the space around and beneath the sculpture part of the composition. It brings together Schumacher’s interest in architecture, craftsmanship and the relationship between solid material and light.

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