Wedding Season 2026: Contemporary art gifts for couples who have everything
Wedding gift ideas under €1000
Wedding season has arrived, and with it comes the search for a gift that feels personal, lasting and genuinely meaningful. While many couples receive household items, vouchers or experiences, a work of art offers something different: a gift that becomes part of their daily lives for years to come.
Why art makes a meaningful wedding gift
Art has the unique ability to mark an important moment in time. Long after the wedding day has passed, a painting, photograph or sculpture remains a visible reminder of a new chapter together. Unlike many traditional gifts, it does not get stored away or replaced. Instead, it grows with the home and the people who live in it.
Contemporary art is also increasingly accessible. Smaller works, works on paper and limited editions allow you to give an original and thoughtful gift without exceeding your budget. Whether you are looking for a colourful painting, an abstract composition or a distinctive object, there are many possibilities under €1.000.
In this selection, we have gathered a number of artworks by Root Gallery artists that make memorable wedding gifts. Each piece has been chosen for its ability to bring colour, character and a personal story into a home. Qualities that feel particularly fitting when celebrating a new beginning.
By Karen van der Vliet
24 × 19 cm, 2026
Mixed acrylic paint on cotton, framed
In Translucent XV, Dutch contemporary artist Karen van de Vliet explores the interplay between transparency, colour and material. Translucent layers partially reveal the underlying composition, while vivid orange and yellow lines contrast with milky white tones and dark accents. Rough textures and irregular edges give this small abstract artwork a distinctly tactile and sculptural quality. Extending beyond its wooden frame, Translucent XV moves between abstract painting, mixed-media art and contemporary wall sculpture. The work responds subtly to changing light, revealing new colours, textures and details from different angles.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Karen van der Vliet
40 × 30 cm, 2026
Mixed mixed on cotton, framed
With Translucent II, Karen van de Vliet combines soft areas of colour with sharp vertical lines and translucent layers. Shades of pale blue, pink, black and white create a composition that feels both energetic and calm. The surface reveals traces of the making process, allowing material and colour to remain visible beneath the upper layers. The work brings a sense of lightness and depth to a space and interacts subtly with natural daylight.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Karen van der Vliet
40 × 30 cm, 2026
Mixed mixed on cotton, framed
In Translucent I, Karen van de Vliet explores the relationship between transparency, colour and material. Layers of transparant materials and paint overlap and partially conceal one another, creating a composition that shifts with the changing light. Soft blue tones, bright yellow accents and areas of white and black give the work a sense of balance while preserving its spontaneous character. The sculptural surface brings depth to the piece, making it equally suited to contemporary interiors and carefully assembled gallery walls.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
Karen van de Vliet: for lovers of colour and texture
Karen van de Vliet's paintings celebrate the beauty of colour, material and spontaneity. Thick layers of paint extend beyond the canvas, creating works that blur the line between painting and object.
The soft palette and vibrant accents bring a sense of lightness and optimism, while the tactile surfaces reveal the artist's hand in every detail. Small in scale but rich in presence, these works make a memorable gift for couples who appreciate contemporary art and interiors with character.
From € 600,-
Jan Theun van Rees: for lovers of architecture, light and space
Jan Theun van Rees creates photographic works that explore the relationship between architecture, light and perception. Rather than documenting existing spaces, he constructs temporary environments that are carefully built, lit and photographed, resulting in images that move between reality and illusion.
The works invite viewers to slow down and look more closely. Reflections, shadows and layers of colour reveal themselves gradually, making each piece feel different depending on the time of day and the surrounding space.
For couples drawn to contemporary architecture, design and minimal interiors, these works offer a thoughtful and distinctive wedding gift. Their combination of colour, structure and atmosphere allows them to become a lasting part of a home without overwhelming it.
From € 425,-
By Jan Theun van Rees
50 × 40 cm, edition 1/3 + 1 AP , 2025
Pigment ink on Innova Photorag bright white, mounted on 4 mm museum board
Framed in ‘White Wash’ veneer with spacers and UV70 museum glass
(Also available in 25 x 20 cm, edition 10)
This work is part of the series Painted Room
With Red Room, Jan Theun van Rees continues his exploration of how space is perceived and constructed on the flat picture plane. The work is part of the Painted Room series, in which he intuitively builds and photographs entirely constructed environments.
Red Room exists solely to be photographed, a new, not-yet-existing reality created to express a particular spatial quality. The deep red appears to fill the room like a tangible presence, shaped by light and composition.
As in much of his recent work, Van Rees blurs the line between documentation and invention. Red Room invites the viewer to question what space is, how it comes into being, and the role perception plays in its formation.
Shipping within the Netherlands and Belgium is on us.
By Jan Theun van Rees
25 x 20 cm, ed. 5/10, 2024
Archival pigment ink on Innova ”Soft Textured BrightWhite Photorag” with nutwood frame and museumglass
This work is part of the series Painted Room
With his art, Jan Theun van Rees focuses on the appearance of space as an image, the perception of that (visualised) space in relation to the space that surrounds us. Through his photographs he tries to visualise the specific qualities of those spaces. “Camera Lucida” is the catch-all term for all his artistic projects that try to visualise a connection between (interior) spaces and the outside world through incoming light. He intervenes in the space, manipulates the incoming light, to emphasise the spatial qualities he experiences. These interventions have become essential to his current practice. He constructs his own spaces, his own versions of a new, not yet existing reality. A certain spatial quality is visualised by constructing a space with the sole purpose to photograph the result.
In his new series Painted Room you can step into a new reality and become mesmerised by the rays of light, colourful surroundings and mystic shadows.
Shipping within the Netherlands and Belgium is on us.
By Jan Theun van Rees
25 x 20 cm, ed. 1/10, 2024
Archival pigment ink on Innova ”Soft Textured BrightWhite Photorag” with nutwood frame and museumglass
This work is part of the series Painted Room
With his art, Jan Theun van Rees focuses on the appearance of space as an image, the perception of that (visualised) space in relation to the space that surrounds us. Through his photographs he tries to visualise the specific qualities of those spaces. “Camera Lucida” is the catch-all term for all his artistic projects that try to visualise a connection between (interior) spaces and the outside world through incoming light. He intervenes in the space, manipulates the incoming light, to emphasise the spatial qualities he experiences. These interventions have become essential to his current practice. He constructs his own spaces, his own versions of a new, not yet existing reality. A certain spatial quality is visualised by constructing a space with the sole purpose to photograph the result.
In his new series Painted Room you can step into a new reality and become mesmerised by the rays of light, colourful surroundings and mystic shadows.
Shipping within the Netherlands and Belgium is on us.
By Jan Theun van Rees
25 x 20 cm, 2023
Print: pigment link on acid free Innova Soft Textured Bright White (315gr. sq. m.)
Frame: dark wenge wood meneer (Nielsen) with Museumglass (UV70)
Edition 2/7
Jan Theun van Rees holds a life-long fascination for spatial representation on a flat picture plane. This has manifested to his specialisation in photographing (interior-) spaces. He gravitates to spaces that fascinate him, for example, when light plays an unexpected game in a small corner behind a door. His gaze at actual spaces is influenced by his studio work while afterwards the constructed spaces always appear to have their origin in previous spatial experiences. This studio and on-site interaction are inspirational and lead to many new insights and creative opportunities. From 2018 onwards, Jan Theun started constructing his own spaces, created just for the photograph; an intuitive and time intensive process. When he looks through his camera and experiences a space never seen before, he takes the photograph.
Shipping within the Netherlands and Belgium is on us.
By Donald Schenkel
40 × 30 cm, 2025
Oil paint on linen, on wood
Cobalt Light is a small, minimal painting built around a slow transition of colour. In this work, Donald Schenkel allows pale blue tones to move gradually towards a soft, sandy base. The gradient is carefully constructed, with no abrupt shifts, giving the surface a calm, even presence.
The painting responds subtly to natural light. Depending on the moment of the day, the colours appear slightly cooler or warmer, making the work quietly dynamic without becoming dominant. Its restrained palette and clean composition make it easy to live with, while still offering depth on closer inspection.
With its modest scale, Cobalt Light is an accessible entry point into Schenkel’s practice. It works well on its own, but can also be combined with other small works as part of a refined, minimal arrangement. The painting comes ready to place on the wall; framing options are available upon request.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Donald Schenkel
30 × 21 cm, 2025
Oil paint on linen, on wood
Orange Dusk moves from a grounded terracotta tone into a soft, muted mauve, creating a gentle shift that feels warm and steady. Donald Schenkel works in thin, patient layers, allowing the gradient to settle without any hard edges. The result is a quiet, atmospheric piece that changes subtly with the light.
This smaller format makes it easy to place - on a shelf, in a hallway, next to a desk - anywhere a touch of colour can bring calm and warmth. As an accessible entry point into Schenkel’s practice, it’s well suited for a first artwork or a thoughtful gift: minimal, carefully made and meant to stay with you for years.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Donald Schenkel
30 × 24 cm, 2025
Oil paint on linen, on wood
Light Ochre is a warm, quiet gradient that moves from a soft golden tone into a deeper, earthy shade. Donald Schenkel applies his layers with patience, allowing the colours to settle into a smooth transition that feels both steady and calm. It’s a small work, easy to place, yet it brings a subtle sense of warmth to any corner of a room.
Because it responds gently to natural light, the painting shifts slightly throughout the day, sometimes brighter, sometimes deeper in tone. It’s an inviting entry point into Schenkel’s practice and a thoughtful choice for anyone looking for an original artwork that feels personal, minimal, and accessible.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Donald Schenkel
30 × 24 cm, 2025
Oil paint on linen, on wood
Cerulean Light is a small, gentle painting that invites a moment of calm. Donald Schenkel builds his gradients slowly, allowing the colours to settle into a quiet transition from pale blue to an almost weightless tone. It’s a piece that changes subtly with the light, offering something slightly different throughout the day.
Its modest size makes it an accessible introduction to Schenkel’s practice, an artwork that fits easily into any interior, whether placed on its own or as part of a small constellation. It’s also a thoughtful choice for anyone looking for a meaningful, long-lasting gift: minimal, serene, and made with care.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
Donald Schenkel: for lovers of colour and calm
Donald Schenkel's paintings are built around colour itself. Through countless thin layers of paint, he creates subtle transitions that shift almost imperceptibly from one hue to another. The result is a body of work that feels calm, balanced and surprisingly atmospheric.
The small paintings shown here prove that a work does not need to be large to have a strong presence. Their refined colour gradients respond beautifully to changing daylight throughout the day, making them particularly suited for living spaces, bedrooms and home offices.
For couples who appreciate contemporary design, architecture and carefully considered interiors, these works offer a timeless alternative to traditional wedding gifts. Quiet in appearance yet rich in depth, they are pieces that reveal more the longer you live with them.
From € 600,-
Lisette Schumacher: for lovers of colour and architecture
Lisette Schumacher's work is inspired by the way light transforms a space. Drawing from her long-standing fascination with modern architecture, she creates paintings that capture fleeting moments of colour, reflection and atmosphere.
The small works selected here are vibrant and expressive, yet carefully balanced. Bright yellows, deep blues, warm oranges and soft pinks interact across the surface, creating compositions that continue to reveal new details over time.
For couples who appreciate contemporary design, architecture and colour, these paintings make a thoughtful wedding gift. Their intimate scale allows them to fit easily into a home, while their layered surfaces and luminous colours give them a presence far beyond their size.
From € 800,-
By Lisette Schumacher
25 × 20 x 6 cm, 2026
Mixed media
From the series Desert Modernism
In Desert Modernism VI, Lisette Schumacher translates the atmosphere of Palm Springs and the architecture of Desert Modernism into a compact spatial work. The piece combines warm orange, peach and golden tones with translucent layers, creating a sense of depth that shifts with the light.
The work is part of Schumacher’s Desert Modernism series, inspired by her visit to Frey House II, the historic 1964 home designed by Albert Frey. Rather than depicting the house directly, she works with colour, reflection and material to evoke the meeting point between architecture, desert light and landscape.e.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Lisette Schumacher
25 x 20 x 6 cm, 2024
Mixed media
From the series View On Sunset
Lisette Schumacher is a visual artist with a strong interest in modern architecture. Her fascination has led her to numerous architectural sites across Europe and the USA. Currently, her practice focuses on mid-century modern architecture in Los Angeles. While her artistic practice primarily revolves around painting, she has also explored the realms of sculpture and installation. Lisette’s work is part of corporate and private collections in Europe, the United States, and Asia.
Lisette’s interest lies in the notion that architecture provides a fundamental physical experience before leading to intellectual interpretation. On location, she thoroughly observes the construction of spaces, taking note of their shapes and dimensions and paying special attention to how light is optimised for the user. Through intense observation and by moving through each room repeatedly, Lisette absorbs the atmosphere, experiencing the space physically while also interpreting it intellectually. Following this immersive exploration, she delves further into the site's history and the architect's background, conducting in-depth research into techniques, materials, and colour schemes. This process enables her to create a series of intriguing abstract works that reflect the site's atmosphere, history, and design. Lisette’s approach combines a deep appreciation for architectural details with a nuanced understanding of their historical and cultural contexts, resulting in art that captures the essence of the spaces she studies.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Lisette Schumacher
25 x 20 x 6 cm, 2024
Mixed media
From the series View On Sunset
Lisette Schumacher is a visual artist with a strong interest in modern architecture. Her fascination has led her to numerous architectural sites across Europe and the USA. Currently, her practice focuses on mid-century modern architecture in Los Angeles. While her artistic practice primarily revolves around painting, she has also explored the realms of sculpture and installation. Lisette’s work is part of corporate and private collections in Europe, the United States, and Asia.
Lisette’s interest lies in the notion that architecture provides a fundamental physical experience before leading to intellectual interpretation. On location, she thoroughly observes the construction of spaces, taking note of their shapes and dimensions and paying special attention to how light is optimised for the user. Through intense observation and by moving through each room repeatedly, Lisette absorbs the atmosphere, experiencing the space physically while also interpreting it intellectually. Following this immersive exploration, she delves further into the site's history and the architect's background, conducting in-depth research into techniques, materials, and colour schemes. This process enables her to create a series of intriguing abstract works that reflect the site's atmosphere, history, and design. Lisette’s approach combines a deep appreciation for architectural details with a nuanced understanding of their historical and cultural contexts, resulting in art that captures the essence of the spaces she studies.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Lisette Schumacher
30 x 30 x 6 cm cm, 2023
Mixed media
From the series Novel Trailing Reflections
Endless reflections of sun on glass and water were the starting points to create Lisette Schumacher’s Trailing Reflections series. During her residency in Los Angeles (April – May 2022) she visited The Stahl House, located in the Hollywood Hills. It was designed by Buck Stahl and Pierre Koenig in 1959-60. She was stunned by the pure beauty and tranquility of the Stahl House. During her stay, Lisette noticed an intriguing play of reflections in the glass facades of the home, caused by the water of the swimming pool and the reflections of the sun. She wanted to create a body of work that would visualize her observations and bring an ode to the family home, built from glass and steel. The Stahl House has become the figurehead of modern architecture in Los Angeles. She picked the color palette based on the local rocks, succulents, interior and the swimming pool.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.
By Sophie de Vos
40 x 30 cm, ed. 3/5, 2025
Hahnemuhle, framed in black, museumglass
From the series Fragments of Clarity
The word ‘reflecting’ carries dual meanings; it can refer to an actual reflection — seeing an image mirrored in a glossy surface like glass — or it can describe the process of deep, thoughtful contemplation.
This photographic series by Sophie de Vos intertwines both interpretations, exploring the intersection between the literal and metaphorical aspects of reflection. In this series, Sophie incorporates glass as a physical and conceptual layer over her subjects, manipulating its positioning to create dynamic visual distortions. By alternating and playing with these layers, she raises profound questions about perception: When we look at something, are we truly seeing it as it is, or are we viewing it through the complex prism of our own experiences, biases, and emotions? Sophie challenges the viewer to consider the nature of clarity itself, suggesting that true understanding may be filtered and refracted by the lenses through which we observe the world.
Through this blending of visual and philosophical reflection, the series becomes not just a study of surfaces and subjects, but a deeper inquiry into the limits of perception and understanding.
Shipping within the Netherlands and Belgium is on us.
By Sophie de Vos
120 × 90 cm, ed. 1/2, 2024
Hahnemuhle, framed in black, museumglass
Also available in 40 × 30 cm, edition 3/5
From the series Fragments of Clarity
The word ‘reflecting’ carries dual meanings; it can refer to an actual reflection — seeing an image mirrored in a glossy surface like glass — or it can describe the process of deep, thoughtful contemplation.
This photographic series by Sophie de Vos intertwines both interpretations, exploring the intersection between the literal and metaphorical aspects of reflection. In this series, Sophie incorporates glass as a physical and conceptual layer over her subjects, manipulating its positioning to create dynamic visual distortions. By alternating and playing with these layers, she raises profound questions about perception: When we look at something, are we truly seeing it as it is, or are we viewing it through the complex prism of our own experiences, biases, and emotions? Sophie challenges the viewer to consider the nature of clarity itself, suggesting that true understanding may be filtered and refracted by the lenses through which we observe the world.
Through this blending of visual and philosophical reflection, the series becomes not just a study of surfaces and subjects, but a deeper inquiry into the limits of perception and understanding.
Shipping within the Netherlands and Belgium is on us.
By Sophie de Vos
40 x 30 cm, ed. 3/5, 2024
Hahnemuhle, framed in black, museumglass
From the series Fragments of Clarity
The word ‘reflecting’ carries dual meanings; it can refer to an actual reflection — seeing an image mirrored in a glossy surface like glass — or it can describe the process of deep, thoughtful contemplation.
This photographic series by Sophie de Vos intertwines both interpretations, exploring the intersection between the literal and metaphorical aspects of reflection. In this series, Sophie incorporates glass as a physical and conceptual layer over her subjects, manipulating its positioning to create dynamic visual distortions. By alternating and playing with these layers, she raises profound questions about perception: When we look at something, are we truly seeing it as it is, or are we viewing it through the complex prism of our own experiences, biases, and emotions? Sophie challenges the viewer to consider the nature of clarity itself, suggesting that true understanding may be filtered and refracted by the lenses through which we observe the world.
Through this blending of visual and philosophical reflection, the series becomes not just a study of surfaces and subjects, but a deeper inquiry into the limits of perception and understanding.
Shipping within the Netherlands and Belgium is on us.
By Sophie de Vos
40 x 30 cm, ed. 2/5, 2024
Hahnemuhle, framed in black, museumglass
For this work, Sophie de Vos was inspired by the found of her late grandmother's nightgown. Although she never saw her grandmother in this nightgown, she was confronted with a nostalgic sense of familiarity beyond comprehension.
While capturing this intimate image, she noticed an intriguing play of light on the surface of the fabric which shifted her mind to other eras. The abundance of swirling fabrics with beautiful light and shadow areas in paintings from the Renaissance and the fabric draped elegantly over the floor in Roman sculptures. Sophie was fascinated by the ways in which well-known references from our collective visual memory could coincide with the little nostalgic memory her grandmother's nightgown evoked.
Shipping within the Netherlands and Belgium is on us.
Sophie de Vos: photography inspired by memory and connection
Sophie de Vos creates photographic works that explore memory, identity and human connection. Through carefully staged compositions, reflections and layers, her images invite viewers to slow down and discover new details over time.
The works balance strength and vulnerability, making them particularly meaningful for people who are drawn to art that tells a story without revealing everything at once. Flowers, figures and gestures appear and disappear within the image, creating photographs that remain open to personal interpretation.
Each work is professionally framed with museum glass, offering exceptional clarity while reducing reflections and providing additional protection. Ready to hang, they make a thoughtful and lasting wedding gift for couples who value beauty, meaning and craftsmanship.
Rather than marking a single moment, these photographs encourage reflection on the many moments that shape a life together.
From € 850,-
Looking for a unique wedding gift?
Finding a wedding gift that feels personal can be surprisingly difficult. Many couples already have everything they need, making it increasingly important to choose something meaningful, lasting and unique.
A work of art is more than a gift for a single day. It becomes part of a home, a shared memory and a daily reminder of an important moment. Whether you are looking for a colourful abstract painting, contemporary photography or a small artwork under €1.000, art offers a thoughtful alternative to traditional wedding presents.
At Root Gallery, we carefully select contemporary artworks by emerging and mid-career artists, with many original works available under €1.000. The pieces featured in this guide are available online and can be shipped worldwide.
Browse our current collection of contemporary art and discover a wedding gift that will be enjoyed long after the celebrations have ended.
By Karen van der Vliet
24 × 19 cm, 2026
Mixed acrylic paint on cotton, framed
In Translucent XVI, Karen van de Vliet builds a layered composition in which colour appears to surface from within the work. Luminous red, blue and pink accents are partially veiled by pale translucent areas, while strong black and white lines bring rhythm and contrast. The irregular contours extend beyond the wooden frame, emphasising the work’s sculptural character. Intimate in scale yet visually assertive, this unique artwork occupies the space between abstract painting and wall sculpture.
This work will be shipped within the Netherlands and Belgium at no additional cost, securely and with tracking.